Magical realism, however, is subject to process. The sulfuric breath of the McOndo generation appears through the position of Silvia, Roby’s sister, who comments: «I couldn’t stand García Márquez; He said that, in the final balance, magical realism was going to be more negative than positive for us, it was going to continue selling and promoting abroad an exotic image of Latin America: the land where men eat ants and are born with pig tails» . (p. 44). The harshest criticism is that of time: it will be seen if any novel by any author of the parricidal McOndo generation reaches the heights of that story that announc in its famous final passage that the races condemn to a hundr years of solitude did not have a second chance.
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On the earth .it is not necessary to be prolific to demonstrate the capacity for literary creation. The mexican writer juan rulfo is proof of this. As the centenary b2b email list of his birth is commemorat, it would be interesting to remember his merits. I believe that, in rulfo, two aspects must be recogniz: on the one hand, identification with his culture and, on the other, the renewal of language through resources that arouse interest and, with this, raise the curtain on the so-call latin american boom.
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Regarding identification with the culture, with the environment, it should be not that it was also done by Güiraldes, Arguas, Gallegos, Icaza, Azuela, among others. In that sense, for Rulfo it is important to collect the dialect variants of his country in order to capture it in his texts, as seen in the story Paso del Norte : – I’m going away, father; That’s why I come to give you the Sale Lead warning. –And where are you going, if I may ask? – I’m going north. – And there for what? Don’t you have your business here? Aren’t you involv in the pig market? The presence of dialects and Mexicanisms in his texts is clear, as in Pro Páramo : “It was very easy to become a fan of Dolores.